These are easy to select and navigate via clearly labeled buttons. You get various banks, where you can save your projects. Like the Touch, this device has MIDI and jack ins and outs, as well as a USB input. Although not a standalone station, the price is much lower, and much of the same functionality is included. Like the Live, the Touch has a 7-inch screen, making it easy to control with your fingers.
Completely standalone – no need for a computer. 16 dedicated Q-links that can be loaded with custom settings. Flip-up 10.1″ high-res, adjustable, multi-touch display. It will be inappropriate to those just starting out with sampling machines, or to those on a budget. It works as a standalone device, so there’s no PC needed which makes it an excellent choice for the pro on the go. This is a professional MPC for the musician/producer who requires the ultimate in storage, functionality, and quality. 
There are multiple MIDI, USB, and audio ins and outs, making your options limitless in terms of what you can sample and release and the device can easily work as a standalone machine as well as having the option of working with a Mac or PC. It comes with 16 Q-link knobs with graphical displays, a beautiful flip-up 10” touch screen, and plenty of onboard storage (16Gb). The cream of the crop, if you can afford it, the X is where it’s at. This standalone MPC is the premium option.
Includes same multi-core processor as the MPC X. Connectivity for USB MIDI keyboard controllers. Built-in studio-grade monitoring system. Standalone MPC, drum machine, and MIDI controller. This machine is amazing if you want to record when and where you like – and hear it right there through the stereo monitors – keeping your ideas flowing through the creative process, without the need for a computer. And of course, it has a built in USB audio interface, USB slots for thumb drives, SD card slot, etc. The 7” high-resolution multi-touch display looks fly too, as are the touch capacitive encoders. They let you hear every detail of your production straight from the box. The studio-grade monitors (dual tweeter-woofer speakers) are insanely good, delivering a satisfying low end thump and tight top end. The thing that sets it apart from the MPC One (see below) is the built-in stereo monitoring capability. You get 16 velocity-sensitive RGB drum pads and all the MPC workflow features you’d expect: 16 levels, note repeat, auto sample, chords & note, transport controls, etc. 
It gives you everything you need to make music, anywhere, right at your fingertips – the rechargeable lithium-ion battery means you can keep going for hours too. The Live II is a standalone MPC, drum machine and MIDI controller rolled into one.
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